![]() "Sprang break, y'all," he drawls throughout the film. Franco copies the local's accent and odd speech patterns. He found what he was looking for in Dangeruss, a local rapper on whom Franco based his character, who drives a pimped-out Z28 and sports a shoulder tattoo shaped like Florida and 727 emblazoned on his chest. "Not a Southern white rapper, but a Southern white rapper specifically based in that area." "I wanted Franco's character to have a regional vibe," Korine said. "You took me to the ocean," says Mane's character, born and raised in St. They're talking about how they used to be pals. Franco's Alien meets his best-friend-turned-nemesis, played by rapper Gucci Mane, in a strip club dressing room. There are smaller, almost unnoticeable, counterintuitive moments of regional purity, too. Pete Beach and the park at Lake Maggiore. You'll recognize the sunsets and magic-hour light and locations like Corey Avenue in St. More than that, it's a film that's specific to Tampa Bay. While the nudity and Skittles-colored party atmosphere is purposefully overdone, his movie is very Florida. I finally feel like I can be who I want to be here." "I never want to go home," Faith (Gomez) says later. Pete," Alien (Franco) tells the women after he bails them out of jail. We hear versions of this line throughout the movie. "It was almost like everyone was trying to become someone else," he said. He said he began to discover a bent version of the American dream. He'd drive around and get lost and knock on doors. He had also been thinking about creating a "humorous and sociopathic mystic gangster" role for James Franco, who had been a fan of Korine since he saw Kids in high school. He wanted to find iconic, familiar imagery on which he could hang a "hyper-poetic, hyper-warped" movie. "I just liked the world and the colors of it." He collected anything that mashed adolescent Florida debauchery against childish accessories, like fingernail polish or flip-flops or Hello Kitty bags. He said he had been collecting spring break imagery for several years, pulling photos from co-ed porn sites and fraternity sites. The inspiration for Spring Breakers, like much of Korine's work, was an assortment of pictures. The New York Times called his movie Gummo (1997) "the worst film of the year," which prompted a call from director Werner Herzog, who told Korine, "This movie is now destined to live forever." He's the same dude who dressed in an old-person mask and lurked around Nashville defiling Dumpsters for his "found" film Trash Humpers (2009). He's the same peculiar and talented filmmaker who picked fistfights with strangers in New York for Fight Harm, which ceased production when a bouncer broke Korine's leg. Those who know Korine, 40, who broke onto the scene with the screenplay for Larry Clark's Kids (1995) at age 19, never suspected otherwise.
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